Joan Didion and Rolling Stone: The Week in Pop-Culture Writing

“What struck me, as a young person,

was how unapologetic [Didion] always appeared, how self-possessed. She, like Susan Sontag—another writer who didn’t seem to mind getting her photo taken—remade for me what was possible for women. They were intellectuals who also seemed to understand what their physical selves signified for the culture. We gazed at them, and they gazed back.”
The Original Shock of Rolling Stone
Amanda Petrusich | The New Yorker
“That pop music dominates the cultural conversation is evident and presumed. Yet, in the 1960s, rock records didn’t command column inches in serious publications. Back then, [Jann] Wenner’s insistence on the music’s significance and import—its relevance to the Zeitgeist, its abundance—was a lunatic gesture.”
Beware the Open-Plan Kitchen
Caitlin Flanagan | Vulture
“Bristol and Aubrey Marunde are the stars of Flip or Flop Vegas, and they have brought the HGTV formula—an endless loop of television in which the dreams of women are made manifest by the swinging sledgehammers of men—to the quivering edge of reductio ad absurdum. They love one another; they never quarrel; they worship together at the Church of Home Depot in the Parish of Lowe’s.”